Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Abraham van Beijeren
Still life with fruit, roast, silver- and glassware, porcelain and columbine cup on a dark tablecloth with white serviette.

ID: 74863

Abraham van Beijeren Still life with fruit, roast, silver- and glassware, porcelain and columbine cup on a dark tablecloth with white serviette.
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Abraham van Beijeren Still life with fruit, roast, silver- and glassware, porcelain and columbine cup on a dark tablecloth with white serviette.


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Abraham van Beijeren

(ca. 1620 - March 1690) was a Dutch Baroque era painter. He was little regarded in his day but is now considered one of the greatest of still-life painters. Van Beijeren (alternatively spelled "Beyeren") lived in a succession of Dutch towns. Born in The Hague, the artist also lived in Delft, Amsterdam, Alkmaar and Gouda. In 1678 he settled in Rotterdam, where he died in 1690.   Related Paintings of Abraham van Beijeren :. | Still life | Banquet still life | Abraham van Beijeren. Fruits (17th century). Kaluga Art Museum. | Stilleven met roemer op een zilveren schaal, oesters en blauwe kaas op een donker kleed | Banquet still life. |
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Fisher Jonathan
American. b.1768 d.1847 was the first Congregational minister from 1794 to 1837 in the small village of Blue Hill, Maine in the United States. Although his primary duties as a country parson engaged much of his time, Fisher was also a farmer, scientist, mathematician, surveyor, and writer of prose and poetry. He bound his own books, made buttons and hats, designed and built furniture, painted sleighs, was a reporter for the local newspaper, helped found Bangor Theological Seminary, dug wells, built his own home and raised a large family. Truly a renaissance man in the breadth of his accomplishments Fisher invites comparison with a Franklin or Jefferson. In his manners, morals and writings Fisher represents the best of the vigorous New England churchmen who shaped the standards of their congregations during America's formative years.
Joao Batista da Costa
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Giottino
1325-1370 Italian Giottino Gallery was an early Italian painter from Florence. His real name was Maso di Stefano or Tommaso di Stefano. Giottino's father was himself a celebrated painter; his naturalism earned him the appellation "Scimia della Natura" (Ape of Nature). He instructed his son, who applied himself with greater predilection to studying the works of the great Giotto. Since he formed his style on Giotto's works, Maso became known as Giottino. The frescoes in the chapel of San Silvestro in the Florentine Basilica of Santa Croce are attributed to Giottino; these represent the miracles of Pope St Sylvester as narrated in the "Golden Legend". A large number of other works have been attributed to Giottino including Apparition of the Virgin to St Bernard and a marble statue erected on the Florentine campanile.






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